The Monstrous Movie Clip Of The Day: Dinosaur Wrangling Made Easy?

Written By: Ken Hulsey

Way back in 1969 the master special effects Ray Harryhausen created one of the most spectacular stop-motion animation shots for the movie "The Valley of Gwangi". To the casual viewer this sequence may not seem like a hard illusion to pull off but to those who know how the scene was achieved it stands as a true testament to hours of hard work and an amazing attention to detail.

Here is the problem that was presented to Harryhausen, "How do you get live action cowboy actors on horseback to lasso an Allosaurus model (Gwangi) that is only about a foot tall and make it look real?" The effect was achieved by having the actors actually lasso a pole that was the same height as a real Allosaurus that was mounted to the back of a Jeep. The jeep and pole when filmed with the miniature dinosaur are on a back rear projection plate and hidden by the body of the model, and the portions of rope attached to it's body are painted wires that are matched with the real ropes for each individual frame by Harryhausen using his keen eye looking through the camera's viewfinder to ensure everything lined up perfectly. The model of Gwangi also had to be manipulated to make it look like the horses and their human riders were reacting to the dinosaurs movements and not vice versa. Overall the five minute sequence took almost a month to complete via this process.

MORAV: MISSIONS Is Go!

Written By: Ken Hulsey
Source: Fon Davis

For the last couple of years I have been chronicling the progress of what looks like an amazing giant robot themed sci fi series called "M.O.R.A.V.". Late last month I got a couple of emails from the team behind the project, including creator Fon Davis, about spreading the word about a fundraiser on Kickstarter to .. well ... give the series pilot a kick start.

Giant robot fans responded to this ... and how, pledging to donate above and beyond the $40,000 Davis and his crew needed.

This overwhelming support caught Davis off guard as this message he posted on Facebook illustrates:

"I have been staring at my computer with my jaw dropped for some unknown amount of time, just taking it all in. With less than a day to go you funded MORAV: Missions.

Then I thought, what on earth can I say that would express the excitement we are feeling at my studio right now and verbalize the perfect "thank you" you all deserve for supporting our project?

I don't know what the perfect "thank you" is, so I'm just going to share.

I am deeply moved by all the work, encouragement and kind words you have all shared in your blogs, websites, groups, facebook walls and twitter feeds. When we started this campaign on kickstarter a month ago, I had no idea how emotional this whole experience would be. Every time someone would pledge some money or share our kickstarter link, I felt a warm feeling that frankly, took me off guard. It was not just money, it was a belief in our project. It was a vote of confidence. It was helping an old friend out. It was helping me realize a dream. It was supporting your local artist community. It was joining our team.

Thursday we will launch our first funded project on MORAV: Missions. I will be sure to share the experience with you so you can see what you have joined us in creating. We won't let you down!

Thank you for all the generosity and support you have given us and continue to give us. As I am typing this we are now exceeding the goal amount. You are all amazing! Keep it up! The extra will make an even better MORAV! We will spend every penny on making MORAV: Missions something you can all be proud of.

Thank you sincerely a thousand times to the moon and back!"

Fon Davis

M.O.R.A.V.: Missions Plot:

The story begins with the robot pilots and their peers testing and training then follows them through their struggles with the hardships of war. The audience witnesses the start of a global arms race to build the greatest giant robot army in the world. MORAV covers many decades chronicling the characters through a coup de'tat followed by a civil war that eventually leads to World War Three. The viewer will actually get to see the entire historic saga of robot warfare through the eyes of the men and women immersed in this reality.

If you like robot science fiction, MORAV could be what you've always wanted to see but no one has done. This kind of gritty realism is uncommon in the robot science fiction genre. The show is heavily focused on keeping stories character based and making the environment tangible. There is an effort to bring the audience into a world where robots really walk the streets. The robots in this series do not jump, fly, and shoot lasers out of their eyes. They are designed the way giant robots would be if they were real.

The Nation of Kumala. Divided into two separate states, they have endured an uneasy peace for hundreds of years, but now they find themselves embroiled in a bloody conflict that pits East and West at each other’s throats for control of the entire country.

Across the Jilta Straits lies her sister country of Tangri Island. A peaceful nation with a rich blend of traditional Asian heritage and Western-influenced modernisms and, not unlike any other paradise on Earth, there are those who wish to exploit her and take what she has to offer, no matter what the cost.

As tensions evolve into all-out war, heroes from both Tangri and Kumala unite with a corporate peacekeeping detachment of the Joint Nations Defense force in an attempt to prevent the onslaught of genocide. If they fail, the conflict could destroy Kumala and threaten not only the stability of Tangri Island, but engulf the remainder of South-East Asia into a global war.
But even as Tangri’s King deploys his historic special forces team, The Dragon Army, in an attempt to help subdue the ethnic cleansing in Kumala, the JND is secretly testing a new and devastatingly powerful robotic super-weapon on their peaceful island, one that will ravage Tangri’s future before the King’s forces have time to react.

Lines will be drawn, friendships tested, alliances forged, and the balance of military might will be forever changed by a weapon the likes of which no one has ever seen or imagined.

Giant Robot Fans Unite! MORAV Needs A Kickstart

Written By: Ken Hulsey
Sources : Fon Davis / Todd D'Amario

For the past three years I have been talking off-and-on about an amazing giant robot series called M.O.R.A.V. ((Multi-Operational Robotic Armored Vehicle) which has been a pet project of Hollywood effects master Fon Davis. The series has been a true passion for Davis along with a team of movie and television effects veterans who have devoted hours of spare time and money to create a unique sci fi showcase that is heavily inspired by the Japanese anime classics, "Patlabor" and "Macross".

As is the case with any effects heavy project both time and money have been issues that have plagued "M.O.R.A.V." since its conception, yet Davis and company believe in their vision and have kept the giant mechs marching over most obstacles in their path.

Now three years down the pike Davis is so close to his goal of getting a pilot episode that he can shop to networks completed he can taste it. All he needs is another 40 grand and the episode can be completed.

Like many projects I have talked about in the past Davis has created a "Kickstarter" page where fans can donate what they can to help raise the needed funds to move forward.

Now I understand that one cool photo (above) and my word isn't going to cut it. You need a little more before you open up your check book. I got ya. Check out the clip and the synopsis below:



The story begins with the robot pilots and their peers testing and training then follows them through their struggles with the hardships of war. The audience witnesses the start of a global arms race to build the greatest giant robot army in the world. MORAV covers many decades chronicling the characters through a coup de'tat followed by a civil war that eventually leads to World War Three. The viewer will actually get to see the entire historic saga of robot warfare through the eyes of the men and women immersed in this reality.

If you like robot science fiction, MORAV could be what you've always wanted to see but no one has done. This kind of gritty realism is uncommon in the robot science fiction genre. The show is heavily focused on keeping stories character based and making the environment tangible. There is an effort to bring the audience into a world where robots really walk the streets. The robots in this series do not jump, fly, and shoot lasers out of their eyes. They are designed the way giant robots would be if they were real.

The Nation of Kumala. Divided into two separate states, they have endured an uneasy peace for hundreds of years, but now they find themselves embroiled in a bloody conflict that pits East and West at each other’s throats for control of the entire country.

Across the Jilta Straits lies her sister country of Tangri Island. A peaceful nation with a rich blend of traditional Asian heritage and Western-influenced modernisms and, not unlike any other paradise on Earth, there are those who wish to exploit her and take what she has to offer, no matter what the cost.

As tensions evolve into all-out war, heroes from both Tangri and Kumala unite with a corporate peacekeeping detachment of the Joint Nations Defense force in an attempt to prevent the onslaught of genocide. If they fail, the conflict could destroy Kumala and threaten not only the stability of Tangri Island, but engulf the remainder of South-East Asia into a global war.
But even as Tangri’s King deploys his historic special forces team, The Dragon Army, in an attempt to help subdue the ethnic cleansing in Kumala, the JND is secretly testing a new and devastatingly powerful robotic super-weapon on their peaceful island, one that will ravage Tangri’s future before the King’s forces have time to react.

Lines will be drawn, friendships tested, alliances forged, and the balance of military might will be forever changed by a weapon the likes of which no one has ever seen or imagined.

Do I have you now? Go to Kickstarter - http://www.kickstarter.com/projects/morav/morav-missions-live-action-series-pilot?ref=emai

SyFy To Go Behind The Scenes Of B Movie Effects In MONSTER MAN

Source: NBC / Universal

Syfy is expanding its slate of original reality programming by greenlighting Monster Man, a docuseries about a quirky Hollywood creature-making family, it was announced today by Mark Stern, President of Original Content, Syfy and Co-Head of Content for Universal Cable Productions.

Six one-hour episodes have been ordered from Gurney Productions, the team behind Syfy’s exciting new series Haunted Collector.

Monster Man goes behind the scenes of one of Hollywood’s most respected monster prop building workshops. For more than thirty years, when studios want a bizarre creature or out-of-this world alien, they’ve turned to Cleve Hall and his very unique family business. Only the horrifying monsters they build match the craziness of this highly dysfunctional, extremely talented family.

“We are entering the creative world of a very eccentric, artistic family,” said Mark Stern. “Cleve and his team will give our viewers a rare behind-the-scenes look at what it takes to bring monster props, puppets and costume pieces to life. But they’re also a family business, so the unusual dynamic between them is half the fun.”

Cleve Hall has been in the prop design game since he was a teenager. Monsters are his specialty, which fits the personality of a man who dresses in all black and drives a hearse. Hall has created masterpieces for countless B-movies and big budget flicks for Paramount Pictures, DreamWorks, Warner Bros and Disney, including favorites Ed Wood and Pee Wee’s Big Adventure. Hall has also lent his talent to numerous television programs including Yo Gabba Gabba, for which he received an Emmy nomination. Additionally, he has worked with rock bands including KISS, creating Gene Simmons’ Demon Armor, as well as Insane Clown Posse, Alice Cooper, Tenacious D and DEVO.

Monster Man follows Cleve Hall, his daughters Constance and Elora Hall, his ex-wife Sonja Maddox-Hall, best friends Roy Knyrim and Johnny Saiko, as well as office manager Cindy Miller. Executive Producers are Scott Gurney and Deirdre Gurney for Gurney Productions.

Production on Monster Man is slated to begin shooting in Los Angeles in July 2011 with an anticipated January 2012 debut.

What Was It Like To Play Godzilla, King Kong, Rodan, Mothra ......?

Written By: Ken Hulsey

When monster movie fans think of the names Godzilla, King Kong, Rodan, Mothra and Varan they most often times have fond memories of 200-foot-tall creatures stepping on buildings while terrified townspeople flee for their lives in terror. Though these monsters may be household names to just about everyone, the man who actually climbed into the hot and cumbersome costumes to make them come to life has been an unsung hero who has very rarely received any credit.

That man is Haruo Nakajima, a Japanese actor who from 1954 to 1972 put on the heavy rubber costumes to play Toho's most famous movie monsters.

Nakajima started out in the Japanese movie industry as a bit player in the early 1950's. The eager young actor was mostly cast as a background extra and often times found himself on the wrong end of a sword, that is, until one day Eiji Tsuburaya (known as the father of Japanese special effects) approached him about volunteering for a risky stunt. The film that would ultimately bring both Nakajima and Tsuburaya together was the WWII action film "Operation Kamikaze" in which a pilot was to emerge from a crashed aircraft completely engulfed in flames. A stunt where an actor was to be set on fire had never been attempted in Japan before and Tsuburaya was looking for someone brave enough to be the guinea pig. Nakajima was the only actor to step forward when called.

As fate would have it, a year later Tsuburaya would be looking for someone to once again do something never before attempted in a Japanese movie, this time however he needed an actor to wear a heavy monster costume made of melted car tires for a film called "Gojira" (Godzilla). As Nakajima explains Tsuburaya, and the film's director Ishiro Honda (who also directed Operation Kamikaze) knew exactly who to call, "The film makers were scratching their heads wondering who they could get to put on the suit, then the remembered my stunt. They thought, hey let's get that guy we set on fire last year."

Though Nakajima didn't know what he was about to get himself into, he accepted the job, if for nothing else, to keep himself employed.

Nakajima endured wearing that 200-pound costume for the entire filming of "Gojira". Though other actors were cast to play the monster, only Nakajima could tolerate the costume, long working hours and awful filming conditions.

The filming for "Gojira" took place in the summer of 1954, which would be one of the hottest on record in Japan. Since the stages at Toho had no air conditioning and because Nakajima had to wear that heavy costume, the production was moved from a normal shooting during the day to a 5pm to 5am schedule. According to the actor "The crew often times said that the shooting schedule was the real Gojira (Monster)."

The success of "Gojira" spawned numerous sequels and other special effects driven films. Every time one of those films needed a monster Nakajima was called upon to do the dirty work. In the sequel to Gojira/Godzilla, entitled "Godzilla Raids Again" Nakajima's character was pitted against another monster, Anguirus, who was played by fellow actor Katsumi Tezuka. Nakajima took Tezuka under his wing to teach him how to act in the monster's cumbersome costume. Though the actor did his best, Nakajima knew that his understudy didn't have what it took, "He had a hard time in the costume and he could only move around in it for short periods of time."

As the years kept coming so did the monster roles for Nakajima. Next came "Rodan" then "Varan" and then "Mothra". The filming was long, hard and very dangerous. Nakajima admits that he was injured in some way or another on every single production. On the set of "Varan" the actor was hurt very seriously when a miniature building blew up underneath him. Despite being in severe pain he never let anyone know about it, "I felt like I could have gone to the hospital, but I knew if I had to go then the crew would have to go home, and not get payed for the time, so I stuck it out."

Likewise on the set of "Rodan" a cable snapped while Nakajima was inside the monster's costume suspended some 10-meters above the sound stage, "The cable broke and I began to spin wildly before the whole thing gave way and I came crashing to the ground. Luckily the costume had wings and I landed in the water which protected me."

Tsuburaya was very pleased to see that Nakajima was okay stating, "I'm glad that you didn't die."

Nakajima notes that not all of the parts he played were difficult, in fact the role of Moguera in "The Mysterians" was literally a walk in the park, "The role was easy, all the robot did was walk around and the suit was light."

Nakajima's hardest role came in 1967 when he was called upon to play another world-famous monster, King Kong, in "King Kong Escapes". The actor recalls, "The monster was very hard to play because the suit was so different. The arms were long, longer than my own, and I had to use sticks to control the hands, also the legs were short so I had to walk all hunched over."

On the set of "Frankenstein Conquers the World" Nakajima had the pleasure of showcasing his martial arts skills against fellow actor Koji Furuhata (as Frankenstein). Likewise he would also get to showcase his fighting skills three years later, this time against Yû Sekida in "War of the Gargantuas".

Nakajima remembers sparing against Furuhata and giving the young man a few tips on acting, "The guy that they got to play opposite me wasn't an actor so I had to take some time to teach him how to work in front of the camera. I did enjoy working with him though, we got to match our martial arts skills. He was a black belt and I used my judo."

As Baragon, however, the actor had yet another unique experience on set, "The monster didn't fly as such, but had to leap great distances. There were four or so crew members with wires that had to pull as hard as they could to get me to launch forward."

Though playing monsters was hard, Nakajima never complained, thinking that he would be a fool to pass up such work, a fact that Tsuburaya playfully reminded him of on several occasions, "He would say to me 'even a fool could do this', so I never complained or said no."

Though Nakajima has played a vast number of monsters, it was revealed at this years Monsterpalooza that two of the monsters he has been credited as playing were not actually him at all. One being the insect-like Meganeuron from "Rodan" and the other being the giant walrus from "Gorath". When asked about these two monsters Nakajima stated that he never played them, though several pieces of documentation state that he did.

Haruo Nakajima is not the only actor to ever play Godzilla, there were two others, but his ground-breaking work in the early days of Toho monster movies set a standard for which every other suit actor would be measured. He gave the "King of the Monsters" and his brethren life and helped establish the monster as a world-wide cinema icon. His hours of hard work has brought such joy to movie fans around the world. It is only fitting that this unsung hero of the silver screen get the kudos that he much deserves.

Haruo Nakajima we take off our monster heads to salute you!

What Was It Like To Play Godzilla, King Kong, Rodan, Mothra ......?

Written By: Ken Hulsey

When monster movie fans think of the names Godzilla, King Kong, Rodan, Mothra and Varan they most often times have fond memories of 200-foot-tall creatures stepping on buildings while terrified townspeople flee for their lives in terror. Though these monsters may be household names to just about everyone, the man who actually climbed into the hot and cumbersome costumes to make them come to life has been an unsung hero who has very rarely received any credit.

That man is Haruo Nakajima, a Japanese actor who from 1954 to 1972 put on the heavy rubber costumes to play Toho's most famous movie monsters.

Nakajima started out in the Japanese movie industry as a bit player in the early 1950's. The eager young actor was mostly cast as a background extra and often times found himself on the wrong end of a sword, that is, until one day Eiji Tsuburaya (known as the father of Japanese special effects) approached him about volunteering for a risky stunt. The film that would ultimately bring both Nakajima and Tsuburaya together was the WWII action film "Operation Kamikaze" in which a pilot was to emerge from a crashed aircraft completely engulfed in flames. A stunt where an actor was to be set on fire had never been attempted in Japan before and Tsuburaya was looking for someone brave enough to be the guinea pig. Nakajima was the only actor to step forward when called.

As fate would have it, a year later Tsuburaya would be looking for someone to once again do something never before attempted in a Japanese movie, this time however he needed an actor to wear a heavy monster costume made of melted car tires for a film called "Gojira" (Godzilla). As Nakajima explains Tsuburaya, and the film's director Ishiro Honda (who also directed Operation Kamikaze) knew exactly who to call, "The film makers were scratching their heads wondering who they could get to put on the suit, then the remembered my stunt. They thought, hey let's get that guy we set on fire last year."

Though Nakajima didn't know what he was about to get himself into, he accepted the job, if for nothing else, to keep himself employed.

Nakajima endured wearing that 200-pound costume for the entire filming of "Gojira". Though other actors were cast to play the monster, only Nakajima could tolerate the costume, long working hours and awful filming conditions.

The filming for "Gojira" took place in the summer of 1954, which would be one of the hottest on record in Japan. Since the stages at Toho had no air conditioning and because Nakajima had to wear that heavy costume, the production was moved from a normal shooting during the day to a 5pm to 5am schedule. According to the actor "The crew often times said that the shooting schedule was the real Gojira (Monster)."

The success of "Gojira" spawned numerous sequels and other special effects driven films. Every time one of those films needed a monster Nakajima was called upon to do the dirty work. In the sequel to Gojira/Godzilla, entitled "Godzilla Raids Again" Nakajima's character was pitted against another monster, Anguirus, who was played by fellow actor Katsumi Tezuka. Nakajima took Tezuka under his wing to teach him how to act in the monster's cumbersome costume. Though the actor did his best, Nakajima knew that his understudy didn't have what it took, "He had a hard time in the costume and he could only move around in it for short periods of time."

As the years kept coming so did the monster roles for Nakajima. Next came "Rodan" then "Varan" and then "Mothra". The filming was long, hard and very dangerous. Nakajima admits that he was injured in some way or another on every single production. On the set of "Varan" the actor was hurt very seriously when a miniature building blew up underneath him. Despite being in severe pain he never let anyone know about it, "I felt like I could have gone to the hospital, but I knew if I had to go then the crew would have to go home, and not get payed for the time, so I stuck it out."

Likewise on the set of "Rodan" a cable snapped while Nakajima was inside the monster's costume suspended some 10-meters above the sound stage, "The cable broke and I began to spin wildly before the whole thing gave way and I came crashing to the ground. Luckily the costume had wings and I landed in the water which protected me."

Tsuburaya was very pleased to see that Nakajima was okay stating, "I'm glad that you didn't die."

Nakajima notes that not all of the parts he played were difficult, in fact the role of Moguera in "The Mysterians" was literally a walk in the park, "The role was easy, all the robot did was walk around and the suit was light."

Nakajima's hardest role came in 1967 when he was called upon to play another world-famous monster, King Kong, in "King Kong Escapes". The actor recalls, "The monster was very hard to play because the suit was so different. The arms were long, longer than my own, and I had to use sticks to control the hands, also the legs were short so I had to walk all hunched over."

On the set of "Frankenstein Conquers the World" Nakajima had the pleasure of showcasing his martial arts skills against fellow actor Koji Furuhata (as Frankenstein). Likewise he would also get to showcase his fighting skills three years later, this time against Yû Sekida in "War of the Gargantuas".

Nakajima remembers sparing against Furuhata and giving the young man a few tips on acting, "The guy that they got to play opposite me wasn't an actor so I had to take some time to teach him how to work in front of the camera. I did enjoy working with him though, we got to match our martial arts skills. He was a black belt and I used my judo."

As Baragon, however, the actor had yet another unique experience on set, "The monster didn't fly as such, but had to leap great distances. There were four or so crew members with wires that had to pull as hard as they could to get me to launch forward."

Though playing monsters was hard, Nakajima never complained, thinking that he would be a fool to pass up such work, a fact that Tsuburaya playfully reminded him of on several occasions, "He would say to me 'even a fool could do this', so I never complained or said no."

Though Nakajima has played a vast number of monsters, it was revealed at this years Monsterpalooza that two of the monsters he has been credited as playing were not actually him at all. One being the insect-like Meganeuron from "Rodan" and the other being the giant walrus from "Gorath". When asked about these two monsters Nakajima stated that he never played them, though several pieces of documentation state that he did.

Haruo Nakajima is not the only actor to ever play Godzilla, there were two others, but his ground-breaking work in the early days of Toho monster movies set a standard for which every other suit actor would be measured. He gave the "King of the Monsters" and his brethren life and helped establish the monster as a world-wide cinema icon. His hours of hard work has brought such joy to movie fans around the world. It is only fitting that this unsung hero of the silver screen get the kudos that he much deserves.

Haruo Nakajima we take off our monster heads to salute you!


See Also: Godzilla Takes Burbank: NBC Interviews Haruo Nakajima At Monsterpalooza / Godzilla: Kaiju World Wars Board Game / GODZILLA: KINGDOM OF MONSTERS #4 And GODZILLA: GANGSTERS AND GOLIATHS Coming In June / Is Legendary Pictures About To Hand GODZILLA Over To Del Toro? / Godzilla To Stomp On 70 Comic Book Stores This March / The 100 Greatest Monsters From Movies And Television #10 - #1 / Godzilla Stomp Card Game / Gareth Edwards Talks About GODZILLA To The Press / Is There Going To Be A New "Japanese" Godzilla Movie In 2012? / Reflections On The Hiring Of Gareth Edwards As The Director of Godzilla / Gareth Edwards To Direct Legendary's Godzilla / More Info On GODZILLA MONSTER WORLD From IDW / Godzilla vs The Gryphon - Exclusive Art From Todd Tennant / Godzilla - 13-Inch Plush - Doll / Chinese Entertainment Co. Buys Share In Legendary Pictures / Godzilla Goes Prime-Time! - Godzilla vs Megalon On NBC In 1977 / Putting Legendary Pictures Godzilla 3D (2012) Into Perspective (Part 2) / Godzilla 2012: Brian Rogers On Legendary Pictures Film Plans / GODZILLA 2012 Producer Brian Rogers To Speak At 3D ENTERTAINMENT SUMMIT / It's GODZILLA Vs TUFFZILLA In Court / New Legendary Pictures GODZILLA Design To Be Revealed At Comic Con! / Arkansas Family Builds Ultimate GODZILLA Suit / Tim Burton On For MONSTERPOCALYPSE - Still In Line For GODZILLA? - More Film Details! / A Reason To Be Optimistic About Godzilla 3D (2012)? / Hot Off The Press! Page 77 Of Todd Tennant's "Godzilla 1994" Online Comic / Godzilla, Anguirus, And The Case Of The Missing Monster Suits / Godzilla 3-D, Godzilla 2012, Rumors And Misinformation Abound / What The Fans Want To See In An American Godzilla / Godzilla 2012 - Legendary Pictures/Warner Bros (Fan Group) / It's Official! A New Godzilla Movie Is Coming In 2012! / Get Ready With Your Finger Missiles And Robot Punch! The Shogun Warriors Are Coming To The Big Screen! / Japanese Uber Geekdome - Godzilla Related Cosplay & The Return Of The Life-Sized Gundam

Arkansas Family Builds Ultimate GODZILLA Suit

Written By: Ken Hulsey
Source: BlueRidgenow.com

When Legendary Pictures goes out to try and find someone to create a Godzilla suit for the upcoming film, they may not have to look in Japan, but in rural Arkansas instead.

Indeed the Baker family, father Rick and his two sons Rock and Kyle, have already created a great looking Godzilla costume that is ready for filming.

The Bakers estimate that they have invested about 200 hours and some $600 on creating what they consider to be the ultimate Godzilla suit, which is an combination of several of the monster's designs from it's 50 plus year film career.

Working day and night in the garage of their Hilltop Upholstery business in St. Joe, Arkansas the Baker boys turned rubber and plastic into a monster movie icon, which for the three men, was a true labor of love. Rick Baker is a self-described old fashioned horror movie buff, while his son Rock is an aspiring comic book artist.

Yet, it was brother Kyle who got the first opportunity to try on the Godzilla suit, which featured a fan in the head and pouches in the back for ice to keep the wearer nice and cool. But the sophistication of this Godzilla costume didn't just stop there, the melting ice from the internal pockets is also circulated throughout the suit via a complex tubing system. This Godzilla also features realistic looking eyes which can be moved by remote control.

As Kyle put the monster through it's paces he turned the head of more than few passers by on US highway 65 that runs adjacent to the makeshift monster studio that also doubles as an upholstery business.

Though the suit weighs some 75 pounds and has a rather lengthy tail attached, Kyle Baker had little trouble taking Godzilla for a test drive.

"I can actually feel it push against me," he said, "but I don't really feel the weight. It's so well balanced."

Though Legendary Pictures is presently developing a new American Godzilla movie, the Bakers believe that their best chance to break into the monster suite business will not come from Hollywood, where CGI effects now have become the standard, but in Japan, where the art of suit acting is still practiced.

To show of their skill, the Baker family packed up their monster and headed to Chicago for the annual "G-Fest" convention. It was their hope that since so many Japanese film industry types would be in attendance, they may get the opportunity to impress them and possibly land an opportunity overseas.

Yet there may still be hope for a job here in America, if Legendary Pictures listens to the Godzilla fan community and opts to combine the classic Godzilla suit acting with computer graphics for their film.

Will it happen? Only time will tell, but with any luck the Baker's will be able to crush miniature cities with their creation here in America rather than overseas.

See Also: Tim Burton On For MONSTERPOCALYPSE - Still In Line For GODZILLA? - More Film Details! / Knowing the President / Illustrating the Choosing Process - Directors / Knowing The Producers / A Reason To Be Optimistic About Godzilla 3D (2012)? / Godzilla 2012 Facebook Group Update - 500 Members And The Thread Of The Week!/ Godzilla 2012 (And Gamera) In The News 05/06/10 - A Picture Is Worth A Thousand Rumors / What Went Wrong With Godzilla 98? - Inside The Mind Of Dean Devlin / Godzilla 2012 In The News 04/15/10 - The Angry Edition! / Godzilla 2012 - A Plot Idea That, I Think, Will Make Everyone Happy / Godzilla 3-D, Godzilla 2012, Rumors And Misinformation Abound / Godzilla 2012 Going To Be In 3D And Screened At IMAX Theaters?