Above, Yuu Asakura. Photo by Armand Vaquer.
Drop the Lime — Sex Sax from Trouble & Bass on Vimeo.
"I have never been contacted by anyone associated with these films in the ten years we have distributed them except about five years ago when I emailed Daiei to ask about buying rights to the wide screen versions and they told me they didn't own the US rights. Toei likewise denied knowing anything about THE MAGIC SERPENT which we also tried to buy the wide screen rights for at the AFM three years ago.
Otherwise as far as we know there are no rights issues "a'brewing".
The biggest point that everyone is missing is that I only put this out because I was led to believe that the fans wanted it. I had no intention, or desire, to do this, all my usual distribution outlets had turned it down... but I was encouraged by fans to invest in doing the commentary, which we did, but then thought better of putting the show out as it would have to compete with a plethora of other editions.
Continual and repeated emails from fans made me want to offer it to them, but I didn't believe there was enough people really wanting it to do a big run so I went the Amazon.com route so copies would only be created for those who really wanted it... why can't anybody see that I only tried to give them what they kept asking me for? I could give a OH GODZILLA! WHAT TERRIBLE LANGUAGE otherwise... this could have stayed on the shelf for the rest of my life and I wouldn't care. I'm not going to make any real money off the Amazon release, it was done strictly for the fans who asked me for this. It might move a grand total of 25 copies, who knows? Get a life guys, I have bigger and better things to do. The DVD company is my hobby, not my business, I do it for the fans... but probably should have known better.
On different points "Ryan" posted his slander in Amazon's "Customer Review", a section created so that people who have actually bought products on Amazon can view them, then create a review of them. It's not your private flame forum, dude. If this basement dweller doesn't understand the concept of "customer review" then maybe someone should cut him off from a word processor.
Secondly, Copyright registrations begin with the letters PA, not V... don't you kids ever do your homework? The copyright registration the other ignorant guy puts forth is also BS... that's a transfer letter and has nothing to do with registration. Period. He hasn't a clue about copyright laws.
The item you mention is probably a transfer for banking purposes, I don't even need to look at it to know it's not a registration of copyright. Please write 100 times "I will know what I'm talking about before embarrassing myself on-line again".
Third, I'm legally not able to disclose the details of the settlement we made regarding this film and its legal action. However, drop your own dime and search the LA Court records... it's there as far as I know...
After all is said and done DESTROY is already out on 30 different labels and has NEVER been out of print on Retro in almost 10 years... I'd say the horse is out of the barn on this one."
FRED
Removed by request of the quoted person for failure to seek permission and being taken out of context
Photo found here
Removed by request of the quoted person for failure to seek permission and being taken out of context
Since this program only became available yesterday it's physically impossible for "Ryan" to have seen it or even have received a copy of the DVD. Your "review" is a lie and obviously fueled by a personal agenda. Retromedia was the first company to ever present the AIP-TV Gamera films to the public on DVD and quickly became the source of material for all the cheap DVD labels that flooded the market afterwards. Retromedia also successfully initiated and won a copyright case based on their release of DESTROY ALL PLANETS, so your claim of illegality is BS as well. This DVD doesn't pretend to be anything it isn't. It's simply the best edition of the AIP-TV version of the film ever released on DVD and it has an actors commentary track with star Carl Craig. That's all it advertises as being and that's what it is. Next time try watching the film first before rendering your "opinion", and if you happen to work for a rival DVD company, I'd have to say I'm disappointed... these kind of smear tactics are nothing less than juvenile.
Removed by request of the quoted person for failure to seek permission and being taken out of context
Removed by request of the quoted person for failure to seek permission and being taken out of context
Removed by request of the quoted person for failure to seek permission and being taken out of context
Written By: Ken Hulsey
Hello there lovelies, 
Now, without further ado I'm off to curl up on my couch with my own (rather large) glass of scotch and watch some more Gossip Girl.
Until next time, xo.
Written By: Ken Hulsey
Pictured above are the three producers likely to have the biggest influence on this production
(in order): Yoshimitsu Banno, Roy Lee, and Dan Lin.
Written by Evan Brehany
Edited by Donny Winter and Evan Brehany
As to date, the only names given to us connected to the Legendary Picture’s Godzilla project are a list of producers. Executive and general producers. Through this article we shall introduce the producers' job and how their influence on a project could make or break a film.
Definition of "Producer"
Merriam-Webster world dictionary defines producer as such, ": a person who supervises or finances a work (as a staged or recorded performance) for exhibition or dissemination to the public." With that being said, while the director has the final word on the creative standpoint of the production, the producer does write the check therefore the producer can control certain aspects of production.
Producers
The producers that are presented with Legendary Picture’s Godzilla are Dan Lin, Roy Lee, and Brian Rodgers. Dan Lin is the first name to come up. A fresh faced Asian member to the Hollywood game, his resume does show some modest hits, including "Terminator: Salvation" (2009) and the recent smash hit "Sherlock Holmes" (2009). Dan does have some history with Legendary Pictures, specifically regarding his involvement with the film "10,000 BC" (a film done with the same crew that did the 1998 Godzilla flop). In an interview on the red carpet for "Terminator: Salvation" about being involved with set franchises and rebooting them, he said, "You want to honor the original mythology and at the same time bring in new fans so it’s a type rope." Dan Lin also mentioned that "we decided it was important to set up the mythology before we start the movie." When being interviewed specifically for "Terminator: Salvation", a film which is part of a franchise, two things stuck out which he said were good decisions for the quest to bring in new fans: the hireling of Christian Bale (of Batman fame) and Sam Worthington (who Dan called "a great new actor" before his work in "Avatar" (2009) and "Clash of the Titans" (2010)).
The next name is Roy Lee. A Korean-American producer of 41, Roy Lee is the largest name in the business when it comes to Asian remakes done by American studios. His projects includes the Ring Series, Grudge series, "Dark Water", "The Uninvited", "Eight Below", "Internal Affairs", "My Sassy Girl", "Shutter", "The Eye", "The Echo", and the up coming remake of "Oldboy". According to "The New Yorker", Roy’s job is that he "watches videos of every Asian movie ever made". Sounds fair enough, maybe even to the point that he may have seen some of the Godzilla films. When looking upon his resume, one seems to notice a pattern. Specifically, adaptations in which Roy Lee produces and a member of the original is also on (director or writer usually) is a box office success and is critically acclaimed. It’s hard to judge him. Genessee Kim said this about Roy, "Roy Lee is the man Asian studios turn to when they want top dollar for a Hollywood reincarnation of their successful original films." Not much is said about this producer’s involvement with the creative aspect of the film. Though any similar trends in the Grudge series and the Ring series (the American films) could reveal what could be his style. Along with that, with his tendency to bring in talents from the film franchise he reboots with Hollywood, Yoshimitsu Banno and Kenji Okuhira may not be the only names connected to the Godzilla franchise we may ultimately see.
The last name on the producers list is Brian Rogers. A producer with lesser experience with his only noticeable credits being a producer to some Z-List productions, his most notable title is that of a SFX artist, working on accouple of episodes of "101 Deeds for Eddie McDowd". However, it should be noted that he was part of the group that was to produce the film, "Godzilla: 3D To The Max". Recently he released an interesting comment that warranted a great deal of attention. At the 3DNext Summit, Rogers claimed, "Clash of the Titans' is important here...because it made the industry realize that you cannot do substandard 3D and charge full pricing." This has led fans to think that this film may be going for the extremes - either real 3D or 2D. Chances are it is going to be in 3D. Please refer to Ken’s write up for more information [http://godzilla2012.blogspot.com/2010/06/reason-to-be-optimistic-about-godzilla.html].
Definition of "Executive Producer"
Now, we go to the executive producers list. We have Yoshimitsu Banno, Kenji Okuhira, and Doug Davidson who are filling the job. Now, an executive producer is different from a regular producer. According to Wikipedia, an executive producer, "In major productions, can sometimes be a representative or CEO of the film studio. Or the title may be given as an honorarium to a major investor. Often they oversee the financial, administrative and creative aspects of production, though not always in a technical capacity. In smaller companies or independent projects, it may be synonymous with creator/writer. Often, a "Line Producer" is awarded this title if this producer has a lineage of experience, or is involved in a greater capacity than a "typical" line producer. E.G - working from development through post, or simply bringing to the table a certain level of expertise."
Producers
According to that definition, it sounds good. So let’s look at Yoshimitsu Banno. I think that all who read this blog knows who he is. The director of "Godzilla vs. Hedorah", one of the more obscene but darker (in it’s own right) Godzilla films. Banno, has shown that while the film he made back in 1971 was extremely influenced by the culture at the time, he managed to get the allegorical structure of the original Godzilla in with his film, making it a fan favorite and an effective anti-pollution film. Now, it is said that executive producers do have some influence over the creative aspects of the film, similar to a general producer. Because of this, he is up there with Dan Lin and Roy Lee. Now, with his age and the fact that he has actually worked on a Godzilla film (and some other Toho non-Goji tokusatsu works), that demands a certain amount of respect. Hopefully what ideas he does have will be taken into consideration and used.
Now, let’s go to Kenji Okuhira. He is not well-known, though he was united with Banno with the infamous "Godzilla: 3D to the Max" project. However, his shining achievement is with him being the producer of the award winning 1999 film, "Pups". Obviously due to his Japanese decent, he could be one who has seen the Godzilla films and may just as well also know what he is doing. If so, this is another creative mind which can help balance out the equation.
The last name is Doug Davison. Here is where the story starts to go full circle. The important part is that he has a history with one of the producers: Roy Lee. Together, the duo is most notably known for the finding of the company Vertigo Entertainment - an intermediary company that sells the remake rights for Asian films, on behalf of the rights-holders, to American studios and such. So most of the projects that Roy Lee is involved with, Doug also is. Most of the titles he also works with are done through Vertigo Entertainment.
What does this tell us? With producers having almost the same amount of power as directors, this gives us a good idea of what is to come from this side of the equation. As we are still waiting for the other important parts of the equations: screenwriter, director, and composer, we can at least now speculate and hope that what we are going to get is good.
The crazy looking button down is actually red, grey and black, and wierdly enough it matched the outfit I was already wearing perfectly. It cost me $3.5o. The pants were an expensive $7.50, but they are exactly the same as a pair I had a few years ago that got wrecked. The dino quilt cover was $6, which is again kind of expensive for op-shopping, but this is Brisbane. The books were real bargains though! I got the Readers Digest Complete Guide to Sewing for $4! Plus, that Patten Design book only cost me $2, and it tells you how to make basic patterns AND how to alter your basic pattens into pretty much anything. I should add here that since I'm broke, when it say these things cost me, they actually cost my amazing Boyfriend who offered to get it all for me. Gosh I love that guy. In fact I love him so much that here is a random picture of him. 
Written By: Ken Hulsey
Above, Yuu Asakura. Photo by Armand Vaquer.
Outfit Rundown:
Outfit Rundown:
This ring is probably one of my most treasured possessions. I love it, and have had huge freak-outs many times after almost losing it. I'm so bad with jewellery, hence why this is the only expensive piece I own. As a sidenote, one of the times I almost lost it was having a sword fight with a friend in his garden using foam swords, and making lightsaber noises. I made a particularly ridiculous sword move, and it flew off my finger into the garden. So yeah, I'm cool.
Outfit Rundown:
Knit Vest: Trade Secret (Lee Rider), $29.95
Long-sleeved Shirt: Trade Secret (Sass), $12.95
Jeans: Target, $20, DIY distressed by me.
Written By: Ken Hulsey
Source: Shout! Factory (Press Release)
Even though Japan's Self-Defense Forces sent Gamera hurtling into space in a giant rocket at the climax of Gamera: The Giant Monster, a stray meteor soon collides with his flying metal prison, freeing the ginormous turtle and allowing him to spin back to Earth. That sounds like it spells doom for Japan, but when another colossal creature named Barugon is awoken from an ancient slumber, all Hell breaks loose. And only Gamera can stop him.
After three greedy Japanese explorers steal a rare opal in New Guinea, not realizing that it is actually a monster egg, and unwittingly subject it to infrared radiation, it hatches and grows to immense size. Barugon is not simply bad because he's big: His elongated tongue, itself a deadly weapon, can emit a freezing spray, while he has the ability to shoot a deadly, laser-like rainbow from his back. And when our favorite fire-spitting Gamera becomes trapped in the creature’s frozen grip, mankind looks like it could be doomed. Can one of the explorers, Keisuke Hirata (Kojiro Hongo, Satan’s Sword), and a New Guinea native, Karen (Kyoko Enami, The Woman Gambler), help to defeat Barugon before it plunges Japan into a new Ice Age?
Gamera Vs. Barugon, the second entry in Daiei Studios’ monster series, was directed by veteran Shigeo Tanaka (The Great Wall) and is more lavish than the original in terms of scale and scope — it was shot in spectacular color! Noriaki Yuasa (Gamera, The Giant Monster) was charged with helming the visual effects for this outing, and the results are fantastic!
The original films have woefully been underrepresented on DVD, especially releases featuring the authentic Japanese versions. Shout! Factory, in association with Kadokawa Pictures, will continue to present Gamera Special Edition home entertainment releases in North America. Upcoming highlights include Gamera Vs. Gyas, Gamera Vs. Viras, Gamera Vs. Guillon, Gamera Vs. Jiger, among others.
See Also: Gamera DVD Tuesday! (Normally Godzilla Toy Tuesday!) Free Gamera And Barugon Wallpapers! / Godzilla (And Friends) In The News 05/11/10 - How Does King Kong vs Godzilla Rank Among Monster Battles? More Gamera And Kamen Rider DVD Stuff / Godzilla Toy Tuesday! Godzilla vs The Micronauts And Gamera In A Box / Godzilla (And Friends) In The News 05/03/10 (Part 2) / Killer Kaiju Monsters: Strange Beasts of Japanese Film (Ivan Vartanian)(HarperCollins)(2010) / Info On Shout Factory's 'Gamera The Giant Monster' And 'Gamera vs Barugon' DVD Releases / A Classic Godzilla Comic Strip - The Monsters That Devoured Canarsie / Godzilla 2012 In The News 04/05/10
Outfit Rundown:
Singlet: Trade Secret (Lovable), $5
Belt: Trade Secret (Birdy), $11.95
Pants: Jay Jays, $10
THE SCARF IN QUESTION: Trade Secret (Envious), $16.95.
See, right now you're thinking that this scarf is just a scarf. But it isn't. This is the scarf of many uses, and as it's name suggests, it has many uses. Obviously, the first one is as a kickass scarf.
But lo and behold, this scarf is also big enough to be a blanket. Literally, it is freakin' huge, and also incredibly warm. How useful would this be on public transport when they have the airconditioning turned up too high (which is pretty much always). Next time it happens I'll be all like "Oh, it's so cold and I wish I had a blanket, OH WAIT I HAVE THIS HANDY BLANKET -SIZED SCARF", and then I'll be the warmest person on the bus or train.
You could eat a damn picnic on this scarf! It is amazing, and you should be suitably amazed. You should also ignore my manic expression, and how this wierd position is completely comfortable for me, but that isn't the point. Think of all the things you could use this scarf for! You can wear it like a crazy cat lady shawl, you can tie it around you as a top or skirt. You could use it as a tent the next time you have the strange urge to build a fort in your living room. You could probably even use it as a parachute the next time you are required to make an emergency exit from a plane at high altitude. I AM BLOWN AWAY BY THIS SCARF GUYS.
Do any of you have any items of clothing that can be used in a million different ways? Even better, can you invent any new ways to use old items of clothing?
Until next time, xo.
Written By: Ken Hulsey
A full-color cover by Don Marquez
I Bid You Welcome... (Editorial)
The Monster That Challenged the World!
An appreciation of Inoshiro Honda
Monster Profile: Ebirah
Artificial evolution in The Island of Doctor Moreau and The Alligator People
A selection of storyboard art from The Mist by Pete Von Sholly
Tales from the Lab
Doctor Who Season 16: "The Key to Time"
Vault of Comics: Incredible Hulk 1
Art by Fred Hembeck, Mark Jiro Okui, and John Rozum
Plus more!
Ever watch a Japanese monster movie and wonder what Godzilla and his friends were destroying? Or maybe you’ve thought about taking a trip there to see things first hand. Either way, The Monster Movie Fan’s Guide to Japan should satisfy your needs. Armand Vaquer has put together a handy guide that, while tailored to the monster fan, is useful for any world traveler.
This guide is broken down into different regions of Japan. Within each region are separate entries that cover various cities and other areas. Within each entry is an explanation of famous landmarks and the monster films in which they appeared. It’s a nice mix of factual and historical information, coupled with the relevance to genre films.
